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Irish Cream

May 11th, 2008 vincentdiamond Comments off

rough-cut.bmp

Lethe Press published Rough Cut: Vincent Diamond Collected in June, 2008. I’ve got a couple of new stories in the book and this excerpt is from “Irish Cream”.

Most mornings I’m here with Jerry Sputmeir and Steve the Sleeve. Steve did some time back in the day, and well, we just like using the names from the old days. Makes it kinda homey. None of us were made guys but we worked the game. Jerry was into the numbers up in Brooklyn, and Steve did some loan sharking in addition to his regular burglary gigs. Me? I’m not spillin’. Suffice to say that the horses and me, we go way back.

Anyway, this one morning, I’m on the rail. It’s mid-January, cold for Florida, about forty, and misty. The horses come onto the track at the west end, skittering around like hockey pucks, cantering sideways, all antsy. These days, exercise riders wear vests and helmets. Some wear gloves to grip the reins. A spooked thoroughbred can take off and hit forty miles an hour, so if one starts to run away with you, you’d better have gloves to help you haul his ass in.

Exercise riders still ride butt up though, just like the old days. Nice.

This gray jogs by, tossing his head, kicking up dirt, being feisty, ya know? And when I see the kid on him, it arrows right through me.

Liam.

The strawberry blonde of his hair. The cool green eyes. The muscular chest.

It wasn’t just that this kid looked like Liam, it was the way he sat the horse. Some exercise riders use brute strength that’s where they get those fabulous arms but some use finesse and sweet talk with their charges. That’s what this kid was doing. I saw him leaning over the gray’s withers, stroking the horse’s neck, even its chest. That took some doing with the way this horse antsed around.

What it took was great legs.

I closed my eyes and remembered Liam’s legs. Their strength tight around me, so tight I couldn’t move or breathe or think. And didn’t want to.

Liam’s legs

Back in the fifties, things was different, and not just at the track. Men wore hats and suits everyday, and the only guys wearing jeans were the boys mucking out stalls. You tipped your hat to women, you were polite, you took care of business without a lot of drama.

That also meant if you walked the other way around the track, you didn’t advertise it. Sure, there were queer guys back in the fifties; we just didn’t make a big deal about it. I never saw guys living together like they do nowadays, least not in the tri-state area. Not in my crowd. My guys learned not to make jokes about women with me, and by the time I was in my thirties and running my own crew, it wasn’t a matter of discussion. Not in my earshot.

I wasn’t even at the track when I met Liam. It was at Leprechaun Farms down to Ocala. I was visiting the trainer””on certain uh, collections business, let’s just say””and he was giving me the tour of the barns. Horses never really did much for me, beyond what they could earn for me at the betting windows, but even I knew these were special animals. They gleamed. They had the look of conditioned athletes: the bulging muscle, the thick veins just beneath their smooth pelts. Healthy as, well, horses. It was May and the barn had fans running in all four corners. It was still warm, though, and I sweated beneath my pinstriped suit. I fanned myself with my hat.

Jimmy, the trainer guy, was talking my ear off about bloodlines and race cards and numbers. After ten minutes of this, I kinda tuned him out. Some splashing and whinnying came from the north side of the barn so I edged over, just to see what I can see, ya know? And hoping to catch a breeze.

What I caught was an eyeful.

There was a stallion on the padded area with the hose set-up. Tied on both sides of his head but he tried to rear up, front legs pawing at the air. He bellowed and I’ve never heard a sound like that “deeper than a regular whinny” more of a groaning. The way people might groan in bed.

Bruised

April 12th, 2008 vincentdiamond Comments off

bruised_backinthesaddleAs David angled his little truck up the curving drive, he saw Marcus Denton, the farm’s owner, riding a jump course in the west arena. He rode Smarty Pants, a big bay gelding from Smarty Jones lineage. The two of them arced up and over the jumps, porpoising against the twilight.

David slowed the truck to admire Marcus’s broad-shouldered form over the course: a simple-looking fold at the waist, hands up to the gelding’s crest, legs long and steady in the stirrups. It looked easy; David knew better. He’d fallen off twice while cantering the ring, the scanty English saddle a wobbly-feeling affair after growing up on a cattle farm and riding Western all his life.

David saw one of the farm’s senior grooms, standing at the gate. “Hola, Ramon!” he called.

“Buenos noches, senor. Como esta?” Ramon had emigrated from South America as a teenager and his accent was luscious, redolent with tones of coffee and chiles and sunsets.

“I’m fine,” David said. He nodded to Marcus. “He’s out there again.”

“Every night, senor, every night.” Ramon shook his head. “He ride ’til his legs shake. Two, three hours sometimes.”

“But he doesn’t compete?”

“Nunca.”

They watched Marcus figure eight through the jump course, guiding Smarty Pants with gentle reining, head turns and weight shift in the saddle. They took a corner, too sharply; Smarty Pants balked at a four-foot fence and sent Marcus crashing into the standard, knocking the first pole down. He pinwheeled over the horse’s neck, one arm out, the other over his head. David heard the thwock! of Marcus’s back on the PVC pole and Smarty’s nervous whinny. Marcus lay still in the sand between the jump standards.

Whoa, that looked bad.

David leaped out of his truck, and ran over the gravel of the drive, his long legs kicking up rock. He climbed through the ring’s fencing, four steps behind Ramon. David kept his eyes on Marcus, who hadn’t moved. Smarty Pants stood still near the jump, ears flicking anxiously about, popping his tail in agitation.
Ramon got to Marcus first.

“Don’t move him!” David shouted.

The gelding snorted and moved away as David tore through the arena. Ramon knelt down, one hand grasping Marcus’s wrist. “Boss? Boss, esta bien?”

Marcus lay on his back, damp arena sand clumped on his neck and face where he had fallen. His eyes were open, their soft brown filled with pain. He breathed through clenched teeth.

© 2006. Vincent Diamond. Reprint and sub rights available.

Read “Bruised” and “Back in the Saddle” for just 49 cents at the Amazon Shorts website.

Walking the Blue Line

April 11th, 2008 vincentdiamond Comments off

 

hot-cops-cover.jpgFrom Hot Cops, Cleis Press and edited by Shane Allison.

You never know what you’re gonna hear when you’re eavesdropping. It could be anything: the innocuous plans of a domestic duo, a hushed confession, a quick make-out session.

A low-voiced threat.

A Sunday morning, probably six o’clock or so. The rave was over, the partiers taking off in loud cars, their engines gunning and tires squealing as they left the warehouse in downtown Jacksonville. Up in the warehouse office, I heard the thump of equipment cases being slammed shut, imagined some of the guys squatting and hefting the big speakers from the four corners of the room. I should have been down there; it was my job to be humping some of that weight but I was SO tired.

Tired of doing these damned all-nighters. At twenty-eight, I looked young, all blonde hair and boyish features that let me get away with infiltrating a college dorm or a ravemaster’s street crew. But I was in over my head on this undercover op and floundering.

That morning, I was on the sofa in the warehouse office and I heard the door rattle open. Jason’s voice, a little breathless and high-pitched and then Conrad’s murmuring, low as a foghorn, sexy as hell.

Jason was one of the kids who hung around the crew. Barely out of high school, with a kid’s swash of acne across his forehead and a wispy goatee. He had a crush on Conrad that was nearly painful to watch. Fixing Conrad’s cranberry juice drinks, making sure the DJ booth was swept clean, rubbing Conrad’s shoulders and neck if Donalita wasn’t around, and sometimes, even if she was.

I lifted my head and could see them through the tangle on the equipment table and boxes stacked around the room. Jason grabbed Conrad’s hand and did a twirl under his arm, giggling, off-balance.

Conrad spoke, his deep voice solemn. “Jason, you are stoned, my man.”

“I’m not!”

“Did you have a little party tonight with Marcos?”

“Maybe.” Jason stumbled against Conrad’s broad chest, laughing. “Maybe not.”

Conrad put both hands on Jason’s head and held him still. “I told you about that shit. You shouldn’t be messing with Marcos and his supplies.”

“Screw Marcos.”

“No thanks.” Conrad smiled.

“Then how about me?” Jason surged upwards and planted his mouth against Conrad’s. “Please, I love you so much, Conrad. I just wanna be with you.”

Conrad elbowed him back. “Whoa, whoa. Jason, stop.” He forced Jason away.

© 2006. Vincent Diamond. Reprint rights available.

Suggested writing links and resources

November 3rd, 2007 vincentdiamond Comments off

Backspace.org
A good resource with articles on writing, getting and agent, marketing, etc. Forum access is $30 per year and well worth it. Admins Karen and Chris have been able to score some Really Big Name authors, editors, agents, and publishers to do question and answer sessions. Other threads include Marketing, Editing & Publishing, and Writing Craft.

www.ralan.com
Ralan.com is a great resource for the scifi, fantasy and horror genre writer. Hosts a regularly updated calls for submissions sections, links to the Black Hole, a response-time database, and is generally regarded as THE source for genre writers.

www.jakonrath.com
Lots of information in his writing tips section. Joe is an uber-self-marketer, and I don’t agree with everything he says. But. He knows his genre and what works for him.

Story Pilot’s Science Fiction and Fantasy Market Engine
- a terrific FREE search engine where you can plug in your story’s parameters and get a listing of possible markets, both print and online. Customize it for pay rates, willingness to accept reprints, and genre. I use this site regularly.

Duotrope’s Digest of Fiction Fields
Another FREE search engine I use. Search by pay rate, genre, themes and length. A great resource and updated weekly.

ScottPomfret.com
Site for Scott Pomfret, who, along with his partner, Scott Whittier (yes, really), have helped pioneer the genre of gay men’s romances. They self-published two books in their Romentics line, then had a big-time publisher pick up the series. Pomfret has been generous and kind to new writers, like me. More info at:

Marlys Pearson
Marlys Pearson, author of “Price of Temptation”, this Regency romance author has a very informative website. And a great attitude!

Laura Baumbach
Male/Male romance writer who is bridging the gap between promotional efforts to include both gay male and straight female markets.

James Buchanan.com

Manlove Romance Press, developed by Laura Baumbach.

Erotica Readers and Writers Association
A great resource for writers, it has an exhaustive call for submissions sections, and articles focused on writing in the erotica genre. One of the websites I check regularly. And I’ve started doing book review for them.

Erotic Romance Writers Forums
Hosted by Emily Veinglory, this forum focuses largely on writers of male/male erotica, porn and romance genres. A good mix of professional writers, editors, and publishers visit here.

Velvet Mafia
labels itself “dangerous queer fiction”. Free to read stories, articles, interviews along with Sean Meriwether’s and Greg Wharton’s editorials.

Desdmona.com
A gateway to stories, an online critique group (the Fish Tank), Ruthie’s Club, and various short story contests. Desdmona and crew take erotica seriously and strive to improve the experience for reader and writers. Lots of artwork and explicit avatars, so probably not work-safe.

Torquere Press
The leading publisher of GLBT romance and erotica. E-books, print, and a real customer service orientation. From a writer and editor’s perspective, these are great folks to work with.

Writing Tips

July 7th, 2007 vincentdiamond Comments off

Vincent’s Seven Tips for Writing: (not for the uber-sensitve)

1 . Turn off the damn television! You can’t feed the muse if your mind is cluttered with the Meaningless Acquisitive Crap that is most television. Develop the inner resources to entertain yourself without the outside stimulus of someone talking at you, preaching to you, or trying to sell you something. There’s nothing wrong with contemplative introspection in moderation.

2 . Learn the basics: grammar, spelling, mechanics, POV, correct dialogue tags. If you screw these up on the first page of your story, editors won’t even get to page two. I mean it.

3 . Study the writers you admire, really analyze how their stories work. Is it an immediate grab-for-the-throat action scene? Is it the proportion of dialogue to narrative (think James Patterson and Jonathan Kellerman vs. Annie Proulx and Jane Smiley). All four can write compelling stories but they hook the reader in a different way. Learn how Thomas Harris is different from Stephen King (both doing suspense/horror), who is different from Maggie Estep who is different from Sara Gruen (both doing first-person horsey tales).

4 . It’s worthwhile to join a critique group, a writer’s organization and attend conferences and workshops. Just remember: writers write. Over the last decade I’ve met scads of folks who love to talk about writing and publishing and selling fiction but not all of them actually Do The Writing. If you’re serious about publishing professionally, at a certain point in time, you’ve got to shit or get off the pot. Either finish something and submit it or shut up.

5 . Once you’re happy with what you’ve written and are ready to sub, study the market. This can mean buying a copy of Cemetery Dance, reviewing The Pedestal online, and perusing the many market listings available online (Ralan.com, ERWA.com), and in print. Don’t waste your time subbing something wrong for the market: Alyson Publications ain’t gonna take a traditional heterosexual romance, and Carnifex Press isn’t remotely interested in Westerns. Do your homework

6 . Once you do complete a work, honor it by celebrating in whatever way makes you feel as though you’ve accomplished something. Whether it’s a bottle of champagne, a box of Fannie May turtles (just speaking for myself), or a massage, take the time to acknowledge your hard work. Done celebrating? Okay, sit your ass back down in the chair and write something else.

7 . The books I’ve used most in writing and revising:
a. The Weekend Novelist by Robert Jay Ray. I cannot recommend this book enough. It really focuses on the nitty-gritty details of background material, plot, structure and character development. And all developed with the idea that you have that pesky full-time job to eat and limited time to write. When my first novel is published, Ray’s getting a copy with a note of sincere thanks from me.
b. Self-Editing for Fiction Writers by Renni Browne and Dave King. The bible, truly. Chapters to help you with cleaning up the mechanics, POV, narrative vs. scene, etc. Terrific stuff.
c. Fiction First Aid by Raymond Obstfeld. Another fixer-upper style book that has chapters on punching up settings, twisting off plotlines and growing rounded characters.
d. The Artist’s Wayby Julia Cameron and her Right to Write. I’m not much for touchy-feely writing books but these two are the exception. Focuses on the process of creativity and treating yourself well in order to nurture the muse.
e. The First Five Page> by Noah Lukeman. Stellar. He explains how little time you have as a writer to get an agent or editor’s attention and that you must have your writing shit together to impress these folks. Based on his premise, they are looking for reasons (a typo, pink paper, a coffee stain) to get your story off their desk and into the trash.

8. Turn off the damn television!

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Stories, the list

May 12th, 2007 vincentdiamond Comments off

In publication order, newest to oldest-

Slide into Desire”, in Screaming Orgasms and Sex on the Beach. Edited by Shanna Germain, Pretty Things Press. Release TBD 2008.

“Walking the Blue Line”, in Hot Cops. Edited by Shane Allison, Cleis Press. Available here

“Shepherd”, in Love in a Lock-Up. Edited by Eric Summers, Starbooks Press. Buy it here

“Lions and Tigers and Snares”, in Men of Mystery: Tales of Erotica and Suspense. Sean Meriwether and Greg Wharton, editors. Haworth Press

“Not to Forget”, in Coming Together for the Cure. Edited by Alessia Brio, Phaze Books

“Wrestling with Gators”, in Country Boys. Editor Richard LaBonte, Cleis Press

“Bruised/Back in the Saddle”, a two-for-one deal at Amazon Shorts

“Horse Sense” in Truckers (writing as Rob Kilmer). Editor Johnny Hansen, Cleis Press

“Back in the Saddle”, in Clean Sheets 3/22/06. Editors Storch, Germain & Noble

“A Question of Taste”, in Best Gay Romance 2007. Editor Graham, Cleis Press

“Still in the Gate”, in Play Ball. Edited by CB Potts, Torquere Press

“Tropical Daze”, in Best Gay Love Stories 2006. Edited by Nick Street, Alyson Publications

“Deep Trouble Undercover” in Best Gay Love Stories 2005. Edited by Nick Street, Alyson Publications

“A Cold Night’s Sleep”, “Dangerous Days”, “Haunted”, “Horsing Around” and “Cold Hands, Warm Heart” first appeared in Ruthie’s Club, edited by Neil Anthony and Father Ignatius. www.ruthiesclub.com